Once you grow accustomed to Ikuhara‘s staging, the direction of many other anime might look pretty superficial all of a sudden. His way of presentation has still a rather unconsumed aura even to this day, even though many of his ideas were adapted by his disciples and other directors. Of course, Ikuhara didn’t establish his style out of nothing, but he obviously took Osamu Dezaki‘s anime as a reference point for his own work, just have a look at anime like ‘Oniisama e…’ or ‘The Rose of Versailles’. Ikuhara himself has mentioned that he had gotten stimulated/influenced by Dezaki, even as recently as April this year, when Dezaki died. Most anime directors were influenced by Dezaki in some way, but in Ikuhara‘s work the influence is especially strong, and that’s certainly not just due to the surface resemblance. Their directing is similar in a more profound way, like how they bring about feelings and emotions in the viewer.read more here. by: raito-kun
One common instrument of both is ‘obliqueness’, something that’s quite uncomfortable for humans, just think of a picture hanging on the wall at an oblique angle, there’s a visceral feeling that something’s wrong. Similarly, the use of obliqueness in the scene/layout direction leads to a feeling that something is not right and consequently to an odd atmosphere.